Microphone directivity matters because it controls how a microphone picks up sound, influencing recording quality by focusing on desired sources and minimizing unwanted noise.
Microphone polar patterns describe how a microphone picks up sound from different directions. Understanding these patterns helps you choose the right microphone for your needs and position it correctly.
Polar pattern categories
Microphones can be divided into three main categories based on their directivity:
Omnidirectional - picks up sound equally from all directions
Unidirectional (cardioid) - focuses on sound from the front
Bidirectional - picks up sound from front and back
The diagrams below show how each type captures sound. Zero degrees is the front of the microphone (where you speak), which is always at the center of the diagram.
Omnidirectional
An omnidirectional microphone has circular directivity - it picks up sound signals coming from all sides with equal sensitivity.
Common uses:
Built-in laptop microphones
Webcam microphones
Conference room microphones
Ambient sound recording
Best for: Quiet rooms where you want to capture ambient sound or multiple speakers around the microphone. Not ideal for noisy environments.
Unidirectional (cardioid)
The cardioid pattern is named after its heart shape. It captures sound primarily from the front while rejecting sound from behind the microphone.
Common uses:
Vocal recording
Podcasting and streaming
Live stage performances
Gaming headsets
Best for: Recording in moderately noisy environments where you want to minimize background noise from behind the microphone.
Supercardioid microphones have a tighter front pickup area than standard cardioid, but they capture a small amount of sound from directly behind.
Common uses:
Film and video production
Stage monitors
Capturing audience reaction (partially)
Position the microphone so unwanted sound sources are at the sides (null points), not directly behind.
Hypercardioid microphones have the narrowest front pickup and largest rear lobe of the cardioid family. They provide maximum rejection of side noise.
These microphones have "dead zones" on the sides where almost no sound is captured - perfect for rejecting unwanted noise sources.
Common uses:
Film and TV production (boom microphones)
Wildlife recording
Sports broadcasting
Interview recording in noisy locations
Tip: Hypercardioid microphones must be pointed directly at the sound source. The distinctive "shotgun" shape is common for this pattern.
Bidirectional
Also called "figure-of-eight," bidirectional microphones pick up sound equally from front and back while rejecting sound from the sides.
Common uses:
Face-to-face interviews
Podcasts with two hosts sitting opposite each other
Vocal duets
Mid-side stereo recording techniques
Positioning: Place the microphone between two people, with each person facing a different side. Unwanted noise sources should be positioned at the sides.
Multi-pattern microphones
Multi-pattern microphones combine all three directivity types in one device. A physical switch or software control lets you change between patterns.
Benefits:
Versatility - one mic for different recording situations
Cost-effective compared to buying multiple microphones
Great for learning which pattern works best for you
Common in: USB condenser microphones marketed for podcasting and streaming often include pattern switching (e.g., cardioid, omnidirectional, bidirectional, and stereo modes).
Choosing the right pattern
Quick guide for common scenarios:
Video calls from home: Cardioid - focuses on your voice, reduces background noise
Recording a podcast alone: Cardioid - clean voice isolation
Two-person podcast: Bidirectional or two cardioid mics